[BREAKING] Feat: quotation is now using ()

docs/tutorials/randomness.md

@@ -31,8 +31,8 @@ These are useful for parameters where perception is logarithmic, like frequency
 The probability words take a quotation and execute it with some chance. `chance` takes a float from 0.0 to 1.0, `prob` takes a percentage from 0 to 100:
 
 ```forth
-{ hat s . } 0.25 chance    ;; 25% chance
-{ hat s . } 75 prob        ;; 75% chance
+( hat s . ) 0.25 chance    ;; 25% chance
+( hat s . ) 75 prob        ;; 75% chance
 ```
 
 Named probability words save you from remembering numbers:
@@ -48,9 +48,9 @@ Named probability words save you from remembering numbers:
 | `never` | 0% |
 
 ```forth
-{ hat s . } often          ;; 75%
-{ snare s . } sometimes    ;; 50%
-{ clap s . } rarely        ;; 25%
+( hat s . ) often          ;; 75%
+( snare s . ) sometimes    ;; 50%
+( clap s . ) rarely        ;; 25%
 ```
 
 `always` and `never` are useful when you want to temporarily mute or unmute a voice without deleting code. Change `sometimes` to `never` to silence it, `always` to bring it back.
@@ -58,8 +58,8 @@ Named probability words save you from remembering numbers:
 Use `?` and `!?` with `coin` for quick coin-flip decisions:
 
 ```forth
-{ hat s . } coin ?     ;; execute if coin is 1
-{ rim s . } coin !?    ;; execute if coin is 0
+( hat s . ) coin ?     ;; execute if coin is 1
+( rim s . ) coin !?    ;; execute if coin is 0
 ```
 
 ## Selection
@@ -74,7 +74,7 @@ kick snare hat 3 choose s .    ;; random drum hit
 When a chosen item is a quotation, it gets executed:
 
 ```forth
-{ 0.1 decay } { 0.5 decay } { 0.9 decay } 3 choose
+( 0.1 decay ) ( 0.5 decay ) ( 0.9 decay ) 3 choose
 sine s .
 ```
 
@@ -115,7 +115,7 @@ The difference matters when patterns have different lengths. `cycle` counts per-
 Quotations work here too:
 
 ```forth
-{ c4 note } { e4 note } { g4 note } 3 cycle
+( c4 note ) ( e4 note ) ( g4 note ) 3 cycle
 sine s .
 ```
 
@@ -130,20 +130,20 @@ sine s .
 `every` runs a quotation once every n pattern iterations:
 
 ```forth
-{ crash s . } 4 every    ;; crash cymbal every 4th iteration
+( crash s . ) 4 every    ;; crash cymbal every 4th iteration
 ```
 
 `except` is the inverse -- it runs a quotation on all iterations *except* every nth:
 
 ```forth
-{ 2 distort } 4 except    ;; distort on all iterations except every 4th
+( 2 distort ) 4 except    ;; distort on all iterations except every 4th
 ```
 
 `bjork` and `pbjork` use Bjorklund's algorithm to distribute k hits across n positions as evenly as possible. Classic Euclidean rhythms:
 
 ```forth
-{ hat s . } 3 8 bjork     ;; tresillo: x..x..x. (by step runs)
-{ hat s . } 5 8 pbjork    ;; cinquillo: x.xx.xx. (by pattern iterations)
+( hat s . ) 3 8 bjork     ;; tresillo: x..x..x. (by step runs)
+( hat s . ) 5 8 pbjork    ;; cinquillo: x.xx.xx. (by pattern iterations)
 ```
 
 `bjork` counts by step runs (how many times this particular step has played). `pbjork` counts by pattern iterations. Some classic patterns:
@@ -172,7 +172,7 @@ The real power comes from mixing techniques. A hi-hat pattern with ghost notes:
 
 ```forth
 hat s
-{ 0.3 0.6 rand gain } { 0.8 gain } 2 cycle
+( 0.3 0.6 rand gain ) ( 0.8 gain ) 2 cycle
 .
 ```
 
@@ -181,18 +181,18 @@ Full volume on even runs, random quiet on odd runs.
 A bass line that changes every 4 bars:
 
 ```forth
-{ c2 note } { e2 note } { g2 note } { a2 note } 4 pcycle
-{ 0.5 decay } often
+( c2 note ) ( e2 note ) ( g2 note ) ( a2 note ) 4 pcycle
+( 0.5 decay ) often
 sine s .
 ```
 
 Layered percussion with different densities:
 
 ```forth
-{ kick s . } always
-{ snare s . } 2 every
-{ hat s . } 5 8 bjork
-{ rim s . } rarely
+( kick s . ) always
+( snare s . ) 2 every
+( hat s . ) 5 8 bjork
+( rim s . ) rarely
 ```
 
 A melodic step with weighted note selection and random timbre: