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add warning if multiple tabs are used

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This commit is contained in:
Raphaël Forment
2023-10-05 00:19:59 +02:00
parent 890131b542
commit 8cbd38bd09
4 changed files with 86 additions and 68 deletions
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2
index.html
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@ -57,7 +57,7 @@
}
</style>
<body class="z-0 bg-neutral-800 overflow-y-hidden">
<body id="all" class="z-0 bg-neutral-800 overflow-y-hidden">
<!-- The header is hidden on smaller devices -->
<header class="py-2 block text-white bg-neutral-900">

95
src/documentation/engine.ts
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@ -50,13 +50,12 @@ Let's pause for a moment and explain what is going on:
- Sounds are **composed** by adding qualifiers/parameters that will modify the sound or synthesizer being played (_e.g_ <ic>sound('...').blabla(...)..something(...).out()</ic>. Think of it as _audio chains_.
${makeExample(
'"Composing" a sound or making a sound chain',
'"Composing" a complex sonic object by making a sound chain',
`
beat(1) :: sound('pad')
beat(1) :: sound('pad').n(1)
.begin(rand(0, 0.4))
.freq([50,52].beat())
.size(0.9)
.room(0.9)
.size(0.9).room(0.9)
.velocity(0.25)
.pan(usine()).release(2).out()`,
true
@ -110,10 +109,9 @@ ${makeExample(
"Let's make something more complex",
`
beat(0.25) && sound('jvbass')
.sometimes(s=>s.speed([1,5,10].pick()))
.room(0.5)
.gain(1)
.cutoff(usine(2) * 5000)
.sometimes(s=>s.speed([2, 0.5].pick()))
.room(0.9).size(0.9).gain(1)
.cutoff(usine(1/2) * 5000)
.out()`,
true
)}
@ -131,7 +129,7 @@ There is a special method to choose the _orbit_ that your sound is going to use:
| Method | Alias | Description |
|----------|-------|------------------------------------------------------------|
| orbit | o | Orbit number |
| <ic>orbit</ic> | o | Orbit number |
## Amplitude
@ -140,9 +138,9 @@ Simple controls over the amplitude (volume) of a given sound.
| Method | Alias | Description |
|----------|-------|------------------------------------------------------------------------------------|
| gain | | Volume of the synth/sample (exponential) |
| velocity | vel | Velocity (amplitude) from <ic>0</ic> to <ic>1</ic>. Multipled with gain |
| dbgain | db | Attenuation in dB from <ic>-inf</ic> to <ic>+10</ic> (acts as a sound mixer fader) |
| <ic>gain</ic> | | Volume of the synth/sample (exponential) |
| <ic>velocity</ic> | vel | Velocity (amplitude) from <ic>0</ic> to <ic>1</ic>. Multipled with gain |
| <ic>dbgain</ic> | db | Attenuation in dB from <ic>-inf</ic> to <ic>+10</ic> (acts as a sound mixer fader) |
${makeExample(
"Velocity manipulated by a counter",
@ -157,21 +155,24 @@ beat(.5)::snd('cp').vel($(1)%10 / 10).out()`,
| Method | Alias | Description |
|---------|-------|-----------------------------------------------|
| attack | atk | Attack value (time to maximum volume) |
| decay | dec | Decay value (time to decay to sustain level) |
| sustain | sus | Sustain value (gain when sound is held) |
| release | rel | Release value (time for the sound to die off) |
| <ic>attack</ic> | atk | Attack value (time to maximum volume) |
| <ic>decay</ic> | dec | Decay value (time to decay to sustain level) |
| <ic>sustain</ic> | sus | Sustain value (gain when sound is held) |
| <ic>release</ic> | rel | Release value (time for the sound to die off) |
Note that the **sustain** value is not a duration but an amplitude value (how loud). The other values are the time for each stage to take place. Here is a fairly complete example using the <ic>sawtooth</ic> basic waveform.
${makeExample(
"Simple synthesizer",
`
beat(4)::sound('sawtooth').note(50).decay(0.5).sustain(0.5).release(2).gain(0.25).out();
beat(2)::sound('sawtooth').note(50+7).decay(0.5).sustain(0.6).release(2).gain(0.25).out();
beat(1)::sound('sawtooth').note(50+12).decay(0.5).sustain(0.7).release(2).gain(0.25).out();
beat(.25)::sound('sawtooth').note([50,57,62].pick() + [12, 24, 0].beat(2))
.cutoff(5000).sustain(0.5).release(0.1).gain(0.25).out()
let smooth = (sound) => {
return sound.cutoff(r(100,500))
.lpadsr(usaw(1/8) * 8, 0.05, .125, 0, 0)
.gain(r(0.25, 0.4)).adsr(0, r(.2,.4), r(0,0.5), 0)
.room(0.9).size(2).o(2).vib(r(2,8)).vibmod(0.125)
}
beat(.25)::smooth(sound('sawtooth').note([50,57,55,60].beat(1))).out();
beat(.25)::smooth(sound('sawtooth').note([50,57,55,60].add(12).beat(1.5))).out();
`,
true
)};
@ -182,17 +183,17 @@ There are some basic controls over the playback of each sample. This allows you
| Method | Alias | Description |
|---------|-------|--------------------------------------------------------|
| n | | Select a sample in the current folder (from <ic>0</ic> to infinity) |
| begin | | Beginning of the sample playback (between <ic>0</ic> and <ic>1</ic>) |
| end | | End of the sample (between <ic>0</ic> and <ic>1</ic>) |
| loopBegin | | Beginning of the loop section (between <ic>0</ic> and <ic>1</ic>) |
| loopEnd | | End of the loop section (between <ic>0</ic> and <ic>1</ic>) |
| loop | | Whether to loop or not the audio sample |
| stretch | | Stretches the audio playback rate of a sample over <ic>n</ic> beats |
| speed | | Playback speed (<ic>2</ic> = twice as fast) |
| cut | | Set with <ic>0</ic> or <ic>1</ic>. Will cut the sample as soon as another sample is played on the same bus |
| clip | | Multiply the duration of the sample with the given number |
| pan | | Stereo position of the audio playback (<ic>0</ic> = left, <ic>1</ic> = right)|
| <ic>n</ic> | | Select a sample in the current folder (from <ic>0</ic> to infinity) |
| <ic>begin</ic> | | Beginning of the sample playback (between <ic>0</ic> and <ic>1</ic>) |
| <ic>end</ic> | | End of the sample (between <ic>0</ic> and <ic>1</ic>) |
| <ic>loopBegin</ic> | | Beginning of the loop section (between <ic>0</ic> and <ic>1</ic>) |
| <ic>loopEnd</ic> | | End of the loop section (between <ic>0</ic> and <ic>1</ic>) |
| <ic>loop</ic> | | Whether to loop or not the audio sample |
| <ic>stretch</ic> | | Stretches the audio playback rate of a sample over <ic>n</ic> beats |
| <ic>speed</ic> | | Playback speed (<ic>2</ic> = twice as fast) |
| <ic>cut</ic> | | Set with <ic>0</ic> or <ic>1</ic>. Will cut the sample as soon as another sample is played on the same bus |
| <ic>clip</ic> | | Multiply the duration of the sample with the given number |
| <ic>pan</ic> | | Stereo position of the audio playback (<ic>0</ic> = left, <ic>1</ic> = right)|
${makeExample(
"Complex sampling duties",
@ -224,13 +225,13 @@ There are three basic filters: a _lowpass_, _highpass_ and _bandpass_ filters wi
| Method | Alias | Description |
|------------|-------|-----------------------------------------|
| cutoff | lpf | Cutoff frequency of the lowpass filter |
| resonance | lpq | Resonance of the lowpass filter |
| hcutoff | hpf | Cutoff frequency of the highpass filter |
| hresonance | hpq | Resonance of the highpass filter |
| bandf | bpf | Cutoff frequency of the bandpass filter |
| bandq | bpq | Resonance of the bandpass filter |
| vowel | | Formant filter with (vocal quality) |
| <ic>cutoff</ic> | lpf | Cutoff frequency of the lowpass filter |
| <ic>resonance</ic> | lpq | Resonance of the lowpass filter |
| <ic>hcutoff</ic> | hpf | Cutoff frequency of the highpass filter |
| <ic>hresonance</ic> | hpq | Resonance of the highpass filter |
| <ic>bandf</ic> | bpf | Cutoff frequency of the bandpass filter |
| <ic>bandq</ic> | bpq | Resonance of the bandpass filter |
| <ic>vowel</ic> | | Formant filter with (vocal quality) |
${makeExample(
"Filter sweep using a low frequency oscillator",
@ -249,8 +250,8 @@ A basic reverberator that you can use to give some depth to your sounds. This si
| Method | Alias | Description |
|------------|-------|---------------------------------|
| room | | The more, the bigger the reverb (between <ic>0</ic> and <ic>1</ic>.|
| size | | Reverberation amount |
| <ic>room</ic> | | The more, the bigger the reverb (between <ic>0</ic> and <ic>1</ic>.|
| <ic>size</ic> | | Reverberation amount |
${makeExample(
"Clapping in the cavern",
@ -267,9 +268,9 @@ A good sounding delay unit that can go into feedback territory. Use it without m
| Method | Alias | Description |
|------------|-----------|---------------------------------|
| delay | | Delay _wet/dry_ (between <ic>0</ic> and <ic>1</ic>) |
| delaytime | delayt | Delay time (in milliseconds) |
| delayfeedback| delayfb | Delay feedback (between <ic>0</ic> and <ic>1</ic>) |
| <ic>delay</ic> | | Delay _wet/dry_ (between <ic>0</ic> and <ic>1</ic>) |
| <ic>delaytime</ic> | delayt | Delay time (in milliseconds) |
| <ic>delayfeedback</ic> | delayfb | Delay feedback (between <ic>0</ic> and <ic>1</ic>) |
${makeExample(
"Who doesn't like delay?",
@ -285,9 +286,9 @@ beat(1)::snd('kick').out()
| Method | Alias | Description |
|------------|-----------|---------------------------------|
| coarse | | Artificial sample-rate lowering |
| crush | | bitcrushing. <ic>1</ic> is extreme, the more you go up, the less it takes effect. |
| shape | | Waveshaping distortion (between <ic>0</ic> and <ic>1</ic>) |
| <ic>coarse</ic> | | Artificial sample-rate lowering |
| <ic>crush</ic> | | bitcrushing. <ic>1</ic> is extreme, the more you go up, the less it takes effect. |
| <ic>shape</ic> | | Waveshaping distortion (between <ic>0</ic> and <ic>1</ic>) |
${makeExample(

15
src/documentation/introduction.ts
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@ -15,7 +15,7 @@ ${makeExample(
"Welcome! Eval to get started",
examples[Math.floor(Math.random() * examples.length)],
true
)}
)}
## What is Topos?
@ -26,10 +26,10 @@ ${makeExample(
`
beat(1) :: sound(['kick', 'hat', 'snare', 'hat'].beat(1)).out()
beat(.5) :: sound('jvbass').note(35 + [0,12].beat()).out()
beat([0.5, 0.25, 1, 2].beat(1)) :: sound('east')
.room(.5).size(0.5).n(irand(1,5)).out()`,
beat([0.5, 0.25].beat(1)) :: sound('east')
.room(.9).speed(flip(4) ? 1 : 0.95).size(0.9).o(2).n($(1)).out()`,
false
)}
)}
${makeExample(
"Computer music should be immediate and intuitive",
@ -38,17 +38,18 @@ ${makeExample(
.room(0.8).size(0.8)
.freq(mouseX()).out()`,
false
)}
)}
${makeExample(
"Making the web less dreadful, one beep at at time",
`
beat(.5) :: sound('sid').n($(2)).out()
beat(.5) :: sound('sid').n($(2))
.room(1).speed([1,2].pick()).out()
beat(.25) :: sound('sid').note(
[34, 36, 41].beat(.25) + [[0,-24].pick(),12].beat())
.room(0.9).size(0.9).n(4).out()`,
false
)}
)}
Topos is deeply inspired by the [Monome Teletype](https://monome.org/). The Teletype is/was an open source hardware module for Eurorack synthesizers. While the Teletype was initially born as an hardware module, Topos aims to be a web-browser based software sequencer from the same family! It is a sequencer, a scriptable interface, a companion for algorithmic music-making. Topos wishes to fullfill the same goal than the Teletype, keeping the same spirit alive on the web. It is free, open-source, and made to be shared and used by everyone.

18
src/main.ts
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@ -32,6 +32,21 @@ import showdown from "showdown";
showdown.setFlavor("github");
import showdownHighlight from "showdown-highlight";
import { makeStringExtensions } from "./StringExtensions";
// Broadcast that you're opening a page.
localStorage.openpages = Date.now();
window.addEventListener('storage', function(e) {
if (e.key == "openpages") {
// Listen if anybody else is opening the same page!
localStorage.page_available = Date.now();
}
if (e.key == "page_available") {
document.getElementById("all")!.classList.add("invisible")
alert("Topos is already opened in another tab. Close this tab now to prevent data loss.");
}
}, false);
const classMap = {
h1: "text-white lg:text-4xl text-xl lg:ml-4 lg:mx-4 mx-2 lg:my-4 my-2 lg:mb-4 mb-4 bg-neutral-900 rounded-lg py-2 px-2",
h2: "text-white lg:text-3xl text-xl lg:ml-4 lg:mx-4 mx-2 lg:my-4 my-2 lg:mb-4 mb-4 bg-neutral-900 rounded-lg py-2 px-2",
@ -1160,7 +1175,7 @@ export class Editor {
}
}
const app = new Editor();
let app = new Editor();
window.addEventListener("beforeunload", () => {
// @ts-ignore
@ -1172,3 +1187,4 @@ window.addEventListener("beforeunload", () => {
app.clock.stop();
return null;
});