more work

src/documentation/audio_engine/reverb_delay.ts

@@ -4,7 +4,11 @@ import { makeExampleFactory } from "../../Documentation";
 export const reverb = (application: Editor): string => {
   // @ts-ignore
   const makeExample = makeExampleFactory(application);
-  return `# Reverberation and delay
+  return `
+
+# Audio effects
+
+There is a growing collection of audio effects you can use directly baked in the engine. You can create a wide variety of sonic effects by being creative with the parameters they offer.
 
 ## Reverb
 	
@@ -26,7 +30,6 @@ beat(2)::snd('cp').room(0.5).size(4).out()
 	`,
     true
   )};
-
 	
 ## Delay
 	
@@ -39,14 +42,45 @@ A good sounding delay unit that can go into feedback territory. Use it without m
 | <ic>delayfeedback</ic> | delayfb | Delay feedback (between <ic>0</ic> and <ic>1</ic>) |
 	
 ${makeExample(
-    "Who doesn't like delay?",
-    `
+    "Who doesn't like delay?", `
 beat(2)::snd('cp').delay(0.5).delaytime(0.75).delayfb(0.8).out()
 beat(4)::snd('snare').out()
-beat(1)::snd('kick').out()
-	`,
-    true
-  )};
-	
+beat(1)::snd('kick').out()`, true)}
 
+## Phaser
+
+| Method     | Alias     | Description                     |
+|------------|-----------|---------------------------------|
+| <ic>phaser</ic> | <ic>phas</ic>  | Phaser speed, between <ic>1</ic> and <ic>n</ic> |
+| <ic>phaserDepth</ic> | <ic>phasdepth</ic>  | How much of the signal goes through phaser (<ic>0</ic> to <ic>1</ic>) |
+| <ic>phaserSweep</ic> | <ic>phassweep</ic>  | Phaser frequency sweep (in hertz) |
+| <ic>phaserCenter</ic> | <ic>phascenter</ic>  | Phaser center frequency (default to 1000) |
+
+${makeExample("Super cool phaser lick", `
+rhythm(.5, 7, 8)::sound('wt_stereo')
+  .phaser(0.75).phaserSweep(3000)
+  .phaserCenter(1500).phaserDepth(1)
+  .note([0, 1, 2, 3, 4, 5, 6].scale('pentatonic', 50).beat(0.25))
+  .room(0.5).size(4).out()
+`, true)}
+
+## Distorsion, saturation, destruction
+
+Three additional effects that are easy enough to understand. These effects are deteriorating the signal, making it easy to get digital or gritty audio sample playback or synthesizers destroyed beyond recognition. Be careful with your signal level!
+	
+| Method     | Alias     | Description                     |
+|------------|-----------|---------------------------------|
+| <ic>coarse</ic>     |           | Artificial sample-rate lowering |
+| <ic>crush</ic>      |           | bitcrushing. <ic>1</ic> is extreme, the more you go up, the less it takes effect.  |
+| <ic>shape</ic>      |           | Waveshaping distortion (between <ic>0</ic> and <ic>1</ic>)          |
+	
+	
+${makeExample(
+      "Crunch... crunch... crunch!",
+      `
+beat(.5)::snd('pad').coarse($(1) % 16).clip(.5).out(); // Comment me
+beat(.5)::snd('pad').crush([16, 8, 4].beat(2)).clip(.5).out()
+	`,
+      true
+    )};
 `}