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Updating the entire documentation

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This commit is contained in:
Raphaël Forment
2023-09-17 00:47:50 +02:00
parent d9f98bad74
commit cde3b6eb89
14 changed files with 287 additions and 307 deletions
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34
src/documentation/functions.ts
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@ -86,7 +86,7 @@ You can control scripts programatically. This is the core concept of Topos after
${makeExample(
"Calling a script! The most important feature!",
`
mod(1) :: script(1)
beat(1) :: script(1)
`,
true
)}
@ -94,7 +94,7 @@ mod(1) :: script(1)
${makeExample(
"Calling mutliple scripts at the same time.",
`
mod(1) :: script(1, 3, 5)
beat(1) :: script(1, 3, 5)
`,
false
)}
@ -111,7 +111,7 @@ You can get the current position of the mouse on the screen by using the followi
${makeExample(
"FM Synthesizer controlled using the mouse",
`
mod(.25) :: sound('sine')
beat(.25) :: sound('sine')
.fmi(mouseX() / 100)
.fmh(mouseY() / 100)
.vel(0.2)
@ -129,7 +129,7 @@ Current mouse position can also be used to generate notes:
${makeExample(
"The same synthesizer, with note control!",
`
mod(.25) :: sound('sine')
beat(.25) :: sound('sine')
.fmi(mouseX() / 100)
.note(noteX())
.fmh(mouseY() / 100)
@ -148,7 +148,7 @@ Low Frequency Oscillators (_LFOs_) are an important piece in any digital audio w
${makeExample(
"Modulating the speed of a sample player using a sine LFO",
`mod(.25) && snd('cp').speed(1 + usine(0.25) * 2).out()`,
`beat(.25) && snd('cp').speed(1 + usine(0.25) * 2).out()`,
true
)};
@ -158,7 +158,7 @@ ${makeExample(
${makeExample(
"Modulating the speed of a sample player using a triangle LFO",
`mod(.25) && snd('cp').speed(1 + utriangle(0.25) * 2).out()`,
`beat(.25) && snd('cp').speed(1 + utriangle(0.25) * 2).out()`,
true
)}
@ -168,7 +168,7 @@ ${makeExample(
${makeExample(
"Modulating the speed of a sample player using a saw LFO",
`mod(.25) && snd('cp').speed(1 + usaw(0.25) * 2).out()`,
`beat(.25) && snd('cp').speed(1 + usaw(0.25) * 2).out()`,
true
)}
@ -177,7 +177,7 @@ ${makeExample(
${makeExample(
"Modulating the speed of a sample player using a square LFO",
`mod(.25) && snd('cp').speed(1 + usquare(0.25, 0, 0.25) * 2).out()`,
`beat(.25) && snd('cp').speed(1 + usquare(0.25, 0, 0.25) * 2).out()`,
true
)};
@ -185,7 +185,7 @@ ${makeExample(
${makeExample(
"Modulating the speed of a sample player using noise",
`mod(.25) && snd('cp').speed(1 + noise() * 2).out()`,
`beat(.25) && snd('cp').speed(1 + noise() * 2).out()`,
true
)};
@ -254,8 +254,8 @@ ${makeExample(
${makeExample(
"Using chance with other operators",
`
frequently() :: mod(1) :: sound('kick').out();
often() :: mod(0.5) :: sound('hh').out();
frequently() :: beat(1) :: sound('kick').out();
often() :: beat(0.5) :: sound('hh').out();
sometimes() :: onbeat(1,3) :: sound('snare').out();
`,
true
@ -264,12 +264,12 @@ ${makeExample(
${makeExample(
"Using chance with chaining",
`
mod(0.5) && sound("bd")
beat(0.5) && sound("bd")
.freq(100)
.sometimes(s=>s.crush(2.5))
.out()
mod(0.5) && sound('arp').freq(100)
beat(0.5) && sound('arp').freq(100)
.sometimes(n=>n.freq(200).delay(0.5))
.rarely(n=>n.freq(300).delay(2.5))
.almostNever(n=>n.freq(400))
@ -293,8 +293,8 @@ ${makeExample(
"Phased woodblocks",
`
// Some very low-budget version of phase music
mod(.5) :: delay(usine(.125) * 80, () => sound('east').out())
mod(.5) :: delay(50, () => sound('east').out())
beat(.5) :: delay(usine(.125) * 80, () => sound('east').out())
beat(.5) :: delay(50, () => sound('east').out())
`,
true
)}
@ -304,8 +304,8 @@ mod(.5) :: delay(50, () => sound('east').out())
${makeExample(
"Another woodblock texture",
`
mod(1) :: delayr(50, 4, () => sound('east').speed([0.5,.25].beat()).out())
div(2) :: mod(2) :: delayr(150, 4, () => sound('east').speed([0.5,.25].beat() * 4).out())
beat(1) :: delayr(50, 4, () => sound('east').speed([0.5,.25].beat()).out())
flip(2) :: beat(2) :: delayr(150, 4, () => sound('east').speed([0.5,.25].beat() * 4).out())
`,
true
)};