various improvements
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@ -20,6 +20,17 @@ beat(.5) && snd(['sine', 'triangle', 'sawtooth', 'square'].beat()).freq(100).out
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true
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)}
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Note that you can also use noise if you do not want to use a periodic oscillator:
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${makeExample(
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"Listening to the different types of noise",
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`
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beat(.5) && snd(['brown', 'pink', 'white'].beat()).adsr(0,.1,0,0).out()
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`,
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true
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)}
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Two functions are primarily used to control the frequency of the synthesizer:
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- <ic>freq(hz: number)</ic>: sets the frequency of the oscillator.
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- <ic>note(note: number|string)</ic>: sets the MIDI note of the oscillator (MIDI note converted to hertz).
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@ -76,6 +87,24 @@ beat(1) :: sound('triangle')
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true
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)}
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## Noise
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A certain amount of brown noise can be added by using the <ic>.noise</ic> key:
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${makeExample(
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"Different vibrato settings",
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`
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bpm(140);
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beat(1) :: sound('triangle')
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.freq(400).release(0.2)
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.noise([0.2,0.4,0.5].bar())
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.vib([1/2, 1, 2, 4].beat())
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.vibmod([1,2,4,8].beat(2))
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.out()`,
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true
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)}
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## Controlling the amplitude
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Controlling the amplitude and duration of the sound can be done using various techniques. The most important thing to learn is probably how set the amplitude (volume) of your synthesizer:
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@ -131,6 +160,19 @@ beat(0.5) :: sound('wt_piano')
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true
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)}
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- <ic>ad(attack: number, decay: number)</ic>: sets the attack and decay phases, setting sustain and release to <ic>0</ic>.
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${makeExample(
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"Two segment envelope",
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`
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beat(0.5) :: sound('wt_piano')
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.cutoff(1000 + usine() * 4000)
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.freq(100)
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.ad(0, .2)
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.out()
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`,
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true
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)}
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## Substractive synthesis using filters
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