Rewrite part of evaluation logic, run prettier

src/documentation/audio_engine/amplitude.ts

@@ -17,11 +17,11 @@ Controlling the volume is probably the most important concept you need to know a
 | <ic>dbgain</ic>   | db    | Attenuation in dB from <ic>-inf</ic> to <ic>+10</ic> (acts as a sound mixer fader).|
 	
 ${makeExample(
-    "Velocity manipulated by a counter",
-    `
+  "Velocity manipulated by a counter",
+  `
 beat(.5)::snd('cp').vel($(1)%10 / 10).out()`,
-    true
-  )}
+  true,
+)}
 	
 ## Amplitude Enveloppe
 	
@@ -37,8 +37,8 @@ beat(.5)::snd('cp').vel($(1)%10 / 10).out()`,
 Note that the **sustain** value is not a duration but an amplitude value (how loud). The other values are the time for each stage to take place. Here is a fairly complete example using the <ic>sawtooth</ic> basic waveform.
 	
 ${makeExample(
-    "Simple synthesizer",
-    `
+  "Simple synthesizer",
+  `
 let smooth = (sound) => {
   return sound.cutoff(r(100,500))
        .lpadsr(usaw(1/8) * 8, 0.05, .125, 0, 0)
@@ -50,15 +50,15 @@ beat(.25)::smooth(sound('sawtooth')
 beat(.25)::smooth(sound('sawtooth')
   .note([50,57,55,60].add(12).beat(1.5))).out();
 	`,
-    true
-  )};
+  true,
+)};
 	
 Sometimes, using a full ADSR envelope is a bit overkill. There are other simpler controls to manipulate the envelope like the <ic>.ad</ic> method:
 
 
 ${makeExample(
-    "Replacing .adsr by .ad",
-    `
+  "Replacing .adsr by .ad",
+  `
 let smooth = (sound) => {
   return sound.cutoff(r(100,500))
        .lpadsr(usaw(1/8) * 8, 0.05, .125, 0, 0)
@@ -70,9 +70,8 @@ beat(.25)::smooth(sound('sawtooth')
 beat(.25)::smooth(sound('sawtooth')
   .note([50,57,55,60].add(12).beat(1.5))).out();
 	`,
-    true
-  )};
-
-`}
-
+  true,
+)};
 
+`;
+};